Take a listen toward the bottom of the page. Tuck, also energized by the band's full-tilt approach here, added "I wanted to come out guns blazing, fucking middle fingers flying and just go for the throat.
I think this is a far more aggressive, intense part of Bullet For My Valentine. Living with snakes Feeding the hate Kill the betrayal Shedding of skin Bitter within Cower in shame Venomous tongue Blacken the lungs Inducing the pain.
Bring out the knives To cut and divide Another scar for memory Bring out the knives To cut and divide Let em bleed watch em burn in the fire. We kept writing after the album was finished and we're still writing. We're quite an eclectic band. We can write heavy; we can do melodic.
We can write acoustic or electric and it's sometimes difficult for us to find a groove because we love the elements of lots of things we write. With "Knives," I just came into the studio during the day and recorded a part and the other guys got creative and weird with some of it. It was more spontaneous than a lot of the other stuff we'd been doing, and it was simpler, so it was easier for everyone to jump in. We've always loved simplicity in choruses and heaviness in songs and when we added a crushing vocal line it ignited the fire.
Even in its raw form, everyone was buzzing and that gave us the confidence to be simple and heavy. We went, "Fuck it. We're jumping in headfirst and we're not looking back. It was like we had starved ourselves of heaviness for five years and as soon as we opened that door we were like a bunch of charging bulls that couldn't be stopped.
I was a little impatient, but we stayed at home and wrote as much as possible. We fired around music ideas, and I got to work on the vocals, recording them into my cell phone. We kept our minds active until the summertime when we got back together and we said, "Let's blow this shit up! We went to [guitarist Michael] Padge [Paget's] house and within a week we'd written "Parasite" and "Shatter.
Once the album was finished, I went back into the studio to do some more vocals, and while I was there, I wrote "Rainbow Veins," which is now on the record. Back then, I wasn't myself and I didn't know who I was supposed to be. I was experiencing uncertainty about the future, and I wasn't enjoying being in a band.
All the big stuff I'd always cared about — my music, my love life — that wasn't giving me joy anymore so I didn't know where my head was at and which direction my life was taking. It felt like the wheels were falling off and I was spinning out of control. My wife and I broke up for a couple of years. Thankfully, as time passed, we managed to get back together and sort out our problems.
And that's what Gravity was about. We had been doing this band for so long and it felt like I was banging my head against a closed door. The band obviously had a great quick ascendancy and that rapid rise kind of stopped after three or four records. When we plateaued, it felt like being in Groundhog Day and I was kind of going through the motions. That's just where my head was at the time.
Obviously, Gravity was a divisive record for our fanbase, and a lot of people didn't like it. We knew that was going to happen when we were writing it.
But it was the album I needed to do to find my footing again. Shatter Paralysed Death By a Thousand Cuts. It's important for us that you all be given the opportunity to experience this album at the same time, so as disappointing as it is to have to wait a little longer, we promise you it will be worth it.
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